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Opera Ballet Vlaanderen unveils ‘À la flamande’ 2026–2027 season

Opera Ballet Vlaanderen or Opera Ballet Flanders has announced an expansive and outward-looking 2026–2027 season, combining canonical works with bold new creations and a strong emphasis on Flemish artistic identity. 

Hence the theme, ‘À la flamande‘, refferring to an asparagus dish. The asparagus is cooked al dente in lightly salted water (possibly with a pinch of lemon juice to keep it pristine white) and then topped with a hard-boiled egg and some parsley. Finally, warm, melted butter is spooned over the plate to enhance the creaminess of the white asparagus. Also delicious with a handful of grey shrimps, another source of Flemish pride.

14 major productions

The opera and ballet programme features fourteen major productions, including seven world premieres and six works new to the company, alongside concerts, experimental projects and community initiatives.

Artistic director Jan Vandenhouwe describes the upcoming season as “one large festival”, bringing together opera, dance and music theatre in a wide-ranging programme that also includes hybrid formats, debates and site-specific projects. The season opens against a backdrop of geopolitical uncertainty, posing questions about Flanders’ place in major productions and the wider world, while highlighting the international influence of Flemish artists.

A recurring motif is the River Scheldt, which appears both literally and symbolically across several productions, including works linked to composer Peter Benoit.

Strong mix of classics and new work

The season balances well-known repertoire with lesser-known and contemporary pieces. Major titles include ‘La Traviata’, ‘The Sleeping Beauty’, and concert performances of ‘Orphée et Eurydice’ and ‘Lohengrin’.

Alongside these, the company presents more experimental and rarely staged works, including ‘De Materie’, a philosophical opera by Louis Andriessen that blends history, science and spirituality. The production will be staged by director and scenographer Phia Ménard in collaboration with choreographers Antonio de Rosa and Mattia Russo.

A highlight of the season is a new staging of two oratorios by Peter Benoit — ‘Lucifer’ and ‘De Schelde’, created by theatre collective FC Bergman, marking the first time these works receive a full theatrical interpretation.

Dance and interdisciplinary productions

Dance remains central to the programme. Choreographer Anne Teresa De Keersmaeker revisits three early works set to music by Béla Bartók, Ludwig van Beethoven and Arnold Schönberg, performed live by the company’s orchestra.

Elsewhere, Spanish choreographer Marcos Morau presents a new interpretation of ‘The Sleeping Beauty’, blending Pyotr Ilyich Tchaikovsky’s score with contemporary electronic music. Flemish choreographer Zoë Demoustier explores the legacy of the 1980s ‘Flemish Wave‘ in dance with ‘A Wave’, revisiting influential works by artists such as De Keersmaeker and Wim Vandekeybus.

American choreographer Trajal Harrell makes his company debut with a hybrid reinterpretation of ‘Winterreise’, combining dance, fashion and queer performance traditions.

New creations and historical reflection

Among the world premieres is ‘SOÛL’, a new work by Alain Platel set to music by Gustav Mahler, paired with a piece by Pina Bausch. The season also includes ‘De Draaischijf’, based on a novel by Tom Lanoye, which examines collaboration in Antwerp’s cultural scene during World War II.

The opening production, ‘De Opstand van de Gevels’, by Thomas Verstraeten, is a large-scale urban project in Ghent, transforming the city into a performance space.

Concerts and musical leadership

The season marks the arrival of new music director Stephan Zilias, who will conduct major symphonic works and Richard Wagner’s ‘Lohengrin’. Other concert highlights include music by Franz Schubert, Jean Sibelius, and George Gershwin’s ‘Porgy and Bess’.

Continued growth and audience engagement

The announcement follows a highly successful current season, with sold-out performances of productions such as ‘Don Giovanni’, ‘Nabucco’ and ‘Carmen’. Opera Ballet Vlaanderen also continues to expand accessibility, adding weekday matinees and maintaining a strong presence in Ghent despite the temporary closure of its opera house.

Abonnement renewals open on Friday 24 April. New subscriptions go on sale on Friday 8 May, and general ticket sales begin on Friday 22 May.

With its mix of heritage, innovation and international collaboration, the 2026–2027 season positions Opera Ballet Vlaanderen as a leading force in contemporary European performing arts.

Art and museums in Antwerp

🇧🇪 Blogger, keen vexillologist, train conductor NMBS/SNCB, traveller, F1 follower, friend of Dorothy.

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